Series Of Dreams: Unreleased Recordings, 1989 - 1993 (Volume Two)

Series Of Dreams: 1989 - 1993

Volume Two

Trail Of The Buffalo - Live: June 10, 1989
Under The Red Sky - Outtake: Under The Red Sky
Little Moses - Live: September 5, 1992
God Knows - Outtake: Oh Mercy
Sloppy Drunk - Unreleased: 1992 Bromberg Sessions

Golden Vanity - Live: April 24, 1992
Unbelievable - Outtake: Under The Red Sky
Has Anybody Seen My Love - Live: November 16, 1993
Shooting Star - Outtake: Oh Mercy
Polly Vaughan - Unreleased: 1992 Bromberg Sessions

Blood In My Eyes - Live: November 17, 1993

Roving Blade - Live: July 1, 1992
Born In Time - Outtake: Oh Mercy
Delia - Live: November 17, 1993
Handy Dandy - Outtake: Under The Red Sky
The Water Is Wide - Live: June 3, 1989
 

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This is the second of two volumes in my collection which pertain to the best of Bob Dylan's unreleased output between 1989 and 1993. It should be equivalent to the first in quality, but I would like to make note of several highlights that may raise this part to a superior rank.

The first song, "Trail of the Buffalo," is a live outing of the track from 1989, and it appears here in its electric guise. It was played variously acoustically and electrically during the early years of the Never-Ending Tour, but I prefer the electric version. There is a violent kind of energy about this track that really puts the listener on edge. The band also briefly indulges in an almost klezmer-esque improvisation.

"Little Moses," also live, is about as fine a relationship as one can get between audience and singer. You can really hear the fans cheer as Dylan related the story of Moses in its old spiritual form, and you can hear the singer smile at times as he spins the tale.

"God Knows" is similar to the take heard on Tell Tale Signs, but has a slightly looser energy, culminating in a shouted "Aw!" between portions of the verse.

"Sloppy Drunk" is a jaunty tune recorded at the ill-fated Bromberg Sessions of 1992. These were intended to produce a full album follow-up to Under The Red Sky, but were found wanting for one reason or another; instead, Good As I Been To You was recorded. Though I am grateful for that fantastic record, one wonders at what other gems were recorded in 1992 but remain unreleased. The songs were drawn from various sources, including old country songs, mid-century rock songs, traditional ballads and contemporary singer-songwriter fare of the 1960s and 1970s. Many songs were connected to David Bromberg, who supervised the session.

"Has Anybody Seen My Love" is the esteemed recording from Dylan's 1993 live stint at The Supper Club, originally intended to be released officially; this was eventually shelved, ostensibly in favor of his MTV Unplugged record from the following year. Though this song is the only one that does not quite meet the criteria of this package (songs either originating in this period, or covers which are meaningful because of their significance to this time), it almost qualifies as a fully-formed reinvention of the Empire Burlesque original. There is something so free and jazz-like about this performance - the mood is so fully communicated.

"Shooting Star" is a good, though not great, performance and recording from the sessions for 1989's Oh Mercy record. It is interesting primarily because it has a radically different set of lyrics, an early draft that would be dramatically reworked for the final release.

"Polly Vaughan" is an allegedly original arrangement of an old Irish folk song, on which Wikipedia's knowledge is extensive. Dylan's arrangement and vocals are haunting, particularly the ambiguous final verse in which the eponymous woman appears as a ghost in a courtroom, "like a fountain of snow."

"Roving Blade" is one of my favorite live performances from this time period, and it sounds so fresh. The singer is committed to every word, and closes the song how he begins it. Though this would be performed twice more during the Never-Ending Tour, the 1992 rendition is the finest.

Finally, "The Water Is Wide" is one of the greatest extant recordings from Bob Dylan's live career, to my ears. It is so utterly passionate and courageous, sounding in no way like any other version of the song I've heard. The singer inhabits every syllable, culminating in a heartbreakingly harmonized final chorus. The band, too, is at the top of their game, providing all of the rhythm and sympathetic guitar that a listener could want. It's all been captured here in astounding clarity.

This set has been very carefully picked over and remastered to harmonize volume levels, though of course sometimes the vocals are quieter than one would like, or background noise is intrusive (I'm looking at you, "Shooting Star"). Still, every effort has been made to create a coherent listening experience. I hope you enjoy this compilation - your compiler certainly does. One final note - commenter Hilda Fernhout noted that the cover image above is Bob Dylan walking along Lake Ely by Antonin Kratochvil. It's one of the better images of the artist that I've encountered, and I'm happy to have the attribution added here.

Related studio releases include the following:

Oh Mercy 

The Bootleg Series, Volumes 1-3 

Greatest Hits, Volume 3 

The Bootleg Series, Volume 8: Tell Tale Signs 

Under The Red Sky 

Good As I Been To You 

World Gone Wrong

Next week, the 1990s rolls on with Bob Dylan's outstanding studio outtakes and a selection of live recordings from 1994; that was a great year, and the sound quality is fantastic. Until then, keep yourself healthy and listen to some good tunes.

Thanks,

CS

Note: This post was edited to reflect the accurate date of "Golden Vanity" - the original post provided the date April 22, but the track is from April 24. The artwork will be changed to reflect this when I get some spare time. Thanks to the reader who noted the error!

Series Of Dreams: Unreleased Recordings, 1989 - 1993 (Volume One)

Series Of Dreams: 1989 - 1993

Volume One

Hard Times – Live: April 28, 1993

Political World – Outtake: Oh Mercy

Pancho And Lefty – Live: June 21, 1989

2X2 – Outtake: Under The Red Sky

Ragged & Dirty – Live: November 17, 1993

Catskill Serenade – Unreleased: Bromberg Sessions, 1992

Jim Jones – Live: November 17, 1993

Born In Time – Outtake: Under The Red Sky

Female Rambling Sailor – Live: April 5, 1992

20-20 Vision – Live: October 25, 1991

Wiggle Wiggle – Outtake: Under The Red Sky

Series of Dreams – Live: September 8, 1993

Lucky Old Sun – Live: November 5, 1991

TV Talkin' Song – Outtake: Under The Red Sky

Lakes Of Ponchartrain – Live: June 15, 1989

Jack-A-Roe – Live: November 17, 1993

Most Of The Time – Outtake: Oh Mercy

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Good morning/afternoon/evening,

I have been fine-tuning on this new collection for quite some time, and it is finally ready for release. This project was exciting enough that, for the first time, I've broken my primary rule - the single disc format. Though 'Still The Same Man' was a two-volume affair, that concerned separate eras: 1980 and 1981; in this case, both releases will cover the work Dylan did from 1989 to 1993. This will not be a habit, but I think that these years are too rich a time period to be confined to a single disc.

Standout tracks from the first volume include the first of three Bromberg Session tracks extensively remastered from the original circulating tapes (rather than the Dolby-ized version floating around), a grand performance of "Hard Times" from willie Nelson's 60th Birthday Tribute, an expanded "Political World," an evocative live rendition of "Series of Dreams," an unsettling outtake of "TV Talkin' Song," and a full suite of Supper Club performances from then-recently released World Gone Wrong and Good As I Been To You. Finally, not to be missed is the absolutely stunning "Female Rambling Sailor." Though many of the highlights from these years consist of Bob Dylan performing traditional songs with an otherworldly passion, "Female Rambling Sailor" stands out as heartbreaking.

If you are unfamiliar with the Supper Club recordings from 1993, those will be of special interest. The tracks from Good As I Been To You and World Gone Wrong benefit from acoustic band arrangements. Similarly, "Hard Times" has been accentuated with a small band, including an accordion; the effects are transcendent. Some of the finer details in the outtakes are fascinating - "Political World" retains several verses excised from its release on Oh Mercy, and "Most of the Time" is intriguingly a vocal take completely separate from the releases on Oh Mercy and Tell Tale Signs. The version of this song recorded for a promo video is worth seeking out, but apparently was officially released in 1990 and therefore not eligible for Series of Dreams. The Under The Red Sky outtakes are consistently intriguing as well, since in most there are lyrics that were eventually cut from the released versions; the final portion of 2X2 is noteworthy in this regard. Because those sessions involved extensive overdubs, these outtakes are also generally a bit raw, for better or for worse. There will be more notes concerning the unreleased 1992 Bromberg Sessions, from which "Catskill Serenade" is drawn, next week.

Much of Bob Dylan's recording career is fascinating, but I am certain that the tracks here represent the best available from this one of his peaks. Clearly, there was a rediscovery and redirection occurring during this time, as noted on the past two releases. This reached a peak in the early 1990s, when Dylan was at his most passionate and experimental. You'll be sure to enjoy this record, and its continuation in Volume Two.

If you find yourself humming along to these tracks, I would strongly encourage you to check out Bob Dylan's official releases from this time frame:

Oh Mercy 

The Bootleg Series, Volumes 1-3 

Greatest Hits, Volume 3 

The Bootleg Series, Volume 8: Tell Tale Signs 

Under The Red Sky 

Good As I Been To You 

World Gone Wrong 

I can't stress enough how great these official releases are. Oh Mercy is so elemental, and feels like you've stepped into humid New Orleans on the edge of a  lightning storm. The best tracks left on the cutting room floor from these sessions ended up on The Bootleg Series, Volumes 1-3, Tell Tale Signs, and Greatest Hits Volume 3. Strangely enough, several songs from that CD evolved into the foundation of Under The Red Sky. Ostensibly a collection of fairy tale-esque narratives, Under The Red Sky was excellently produced, and features many guests that round out the talent involved. Good As I Been To You and World Gone Wrong are two of Dylan's finest releases to my ears, accomplishing what the singer had set out to do on his debut release.

Nest week I will publish the second volume of this compilation, containing many wonderful tracks; if you know of any that seem conspicuously absent from this week's release, you will probably be pleasantly surprised next Monday. Until then, keep yourself healthy and listen to some good tunes.

-CS

Town Without Pity: Unreleased Live Recordings - 1990 London & Paris Residencies

Town Without Pity: The Best of the London & Paris Residencies, 1990

Absolutely Sweet Marie - February 8

Where Teardrops Fall - January 30
You Angel You - February 8
Hang Me, Oh Hang Me - February 8
You're A Big Girl Now - January 29

 All Along The Watchtower - January 29
I Shall Be Released - January 29
It's Alright, Ma - February 7
One Too Many Mornings - January 29
Boots Of Spanish Leather - January 30
Dark As A Dungeon - February 6
Simple Twist Of Fate - January 30
Ballad Of Hollis Brown - February 1
Man In The Long Black Coat - January 30
Disease Of Conceit - February 8
Has Anybody Seen My Love? - January 30
Queen Jane Approximately - February 3

Lossless Links:

Part One 

Part Two 

Part Three 

MP3 Link:

MP3 Version

These songs are all performances from Bob Dylan's esteemed residencies in Paris and London during the winter of 1990. This was a very fruitful tour, as Dylan reinvented classic songs and sharpened his interpretation of newer releases.

Highlights include a rare airing of “You Angel You,” an electrified Civil War ballad, “Hang Me, Oh Hang Me,” an absolutely intense “It’s Alright Ma,” the mournful “Simple Twist Of Fate,” the ominous “Man In The Long Black Coat,” a piano-driven “Disease Of Conceit,” and one of my personal favorites, “Has Anybody Seen My Love.”

Several changes had occurred between the beginning of the Never-Ending Tour in 1988 and this series of concerts. Dylan’s voice had altered significantly, drawing away some of the power of those ’88 shows while offering an opportunity to sing with more nuance. You can really hear the singer reaching for now depths in “One Too Many Mornings,” and “Queen Jane Approximately.” Another major change was the inclusion of harmonica from 1989 on. Though my overall impression of harmonicas is not necessarily a positive one, it really adds a melodic quality to many of the tracks here, particularly “You’re A Big Girl Now” and “One Too Many Mornings.”

If you like what you hear, you might enjoy listening to the original studio versions of these songs, released by Columbia Records:

The Times, They Are A-Changin'

Bringing It All Back Home 

Highway 61 Revisited

Blonde On Blonde

John Wesley Harding

Greatest Hits Volume 2

Planet Waves 

Blood On The Tracks

Empire Burlesque

Oh Mercy

Next week I will post one of the highlights of this series - the first of two volumes concerning unreleased studio and live recordings from 1989 to 1993. You'll get to hear some great outtakes and live tracks from Oh Mercy, Under The Red Sky, Good As I Been To You, World Gone Wrong, with related songs from that era. Until then, keep yourself healthy and listen to some good tunes.

-CS

Renaissance: Unreleased Live Recordings, 1988

Renaissance: Live Recordings, 1988

Subterranean Homesick Blues - June 9, 1988
Pretty Peggy-O - July 2, 1988
My Back Pages - June 11, 1988
License To Kill - June 13, 1988
Gotta Serve Somebody - June 13, 1988
Wagoner's Lad - October 16, 1988
Eileen Aroon - June 15, 1988
Mama, You Been On My Mind - June 18, 1988
Give My Love To Rose - June 28, 1988
San Francisco Bay Blues - June 28, 1988

Barbara Allen - August 31, 1988
Masters Of War - October 13, 1988
It Takes A Lot To Laugh, It Takes A Train To Cry - June 10, 1988
Frankie Lee & Judas Priest - July 3, 1988
Visions Of Johanna - September 3, 1988
Gates Of Eden - June 18, 1988

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Greetings, folks. This is my companion to the 1988 field recordings of Bob Dylan. Compiling it was one of the finest experiences I've had since beginning my practice of developing compilations based around certain time periods or themes in Dylan's recorded art. Previously, I suppose I'd only heard so-so sounding 1988-era soundboard recordings, which are frequently lacking in ambiance and sound quality. Still, if one digs around, there is gold to be had in this year. 

Perhaps moreso than at any time since 1979, he sounds truly spirited, demanding the listener's attention. Dylan's fiery breath brings new life to old gems like "Masters of War" and "Gotta Serve Somebody," while songs that are great in most performances shine to their typically high standard here ("Visions of Johanna," "License to Kill"). The acoustic set is interesting as well for the restraint paid to vocals on "Give My Love To Rose" and "Wagoner's Lad." "Mama, You Been On My Mind" receives one of its most pleasant airings here.

By contrast to 1987 and 1989, Dylan's voice is powerful in a way that evokes 1974 with a shade more nuance. The most striking conclusion I reached while listening to the vast array of tapes from 1988 is how similar '88 and '74 are in tone. Both are perhaps a bit under-appreciated and well-served by delving into them with an open mind.

If you'd like a single disc to represent this frenzied year of touring, this could be the one. On the other hand, if this piques your interest, a 5-disc bootleg called The Red Rose and The Briar was the source for a number of these recordings, and offers a comprehensive look at a fascinating period of Dylan's always-interesting performance art.

Original studio recordings of the live tracks from Renaissance can be found on the following official releases:

Bob Dylan

Freewheelin' 

Another Side 

Bringing It All Back Home

Highway 61 Revisited

Blonde On Blonde

John Wesley Harding 

Slow Train Coming 

Infidels 

Next week, we will move ahead to the London and Paris residencies of 1990, which both produced much gold. Until then, keep yourself healthy and listen to some good tunes!

-CS

Enough Is Enough: The Best of the Rehearsal Tapes, 1971 - 1989

Enough Is Enough: The Best of the Rehearsal Tapes, 1971 - 1989

John Hardy - Grateful Dead Rehearsals, 1987

Little Queen of Spades - Never-Ending Tour Rehearsals, 1989

You're A Big Girl, Now - World Tour Rehearsals, 1978

Stop Now -  World Tour Rehearsals, 1978

Gonna Change My Way Of Thinking - Grateful Dead Rehearsals, 1987

Why Do I Have To Choose? -  European Tour Rehearsals, 1984

If You See Her, Say Hello - World Tour Rehearsals, 1978

Walking Down The Line - Grateful Dead Rehearsals, 1987

Don't Keep Me Waiting Too Long - Grateful Dead Rehearsals, 1987

The French Girl - Grateful Dead Rehearsals, 1987

Enough Is Enough - European Tour Rehearsals, 1984

I'll Be Your Baby Tonight - World Tour Rehearsals, 1978

If Not For You - Concert For Bangladesh Rehearsal, 1971

Stealin' - Grateful Dead Rehearsals, 1987

Ballad Of A Thin Man - World Tour Rehearsals, 1978

Shelter From The Storm - European Tour Rehearsals, 1984

Tomorrow Is A Long Time - World Tour Rehearsals, 1978

The Ballad Of Ira Hayes - Grateful Dead Rehearsals, 1987

Isis - Rolling Thunder Revue II Rehearsals, 1976

Lossless Links:

Part One 

Part Two 

 Part Three

MP3 Link:

Enough Is Enough MP3 Version 

Good morning,

This compilation has taken some time to assemble, as I reviewed the available rehearsal tapes from 1971 to 1989. As far as I know, none exist prior to or after this point, excluding sound checks.  The one exception, 1994's MTV Unplugged rehearsals, will be the subject of a later release.

The tracks were judged by sound quality and performance, which prevented the inclusion of many 1976 tracks for the former reason and 1987/89 tracks for the latter. Still, a couple of performances from those sessions are included here. 1976's "Isis," in particular, is a fascinating look at a direction the song never took in concert. There's a looseness about many of the songs on this collection that invites the listener to sing along, and enjoy a peek behind the scenes.

None of this will be new to the collector, but to the novice some of these songs may not have been heard before. Dylan's 1987 takes on many of the songs of his youth are enjoyable, if slight, and are more pleasant to my ears than the tour which followed. Similarly, Dylan's voice on the 1978 rehearsals sounds strikingly similar to his Rolling Thunder vocals; this would swiftly pass away once the long tour began.

I hope you find something new or interesting in these tracks - rehearsals are not meant to be heard by anyone other than those present, and lack the polish or energy that make a studio or live recording compelling. Still, there can be art found even in these hidden moments. Set this one up to play, and see what you find.

If you enjoy these tracks, I encourage you to check out the official recordings of the tours or live performances to which they relate:

The Concert For Bangladesh (1971)
Hard Rain (Rolling Thunder II, 1976)
At Budokan (1978 World Tour)
Real live (European Tour, 1984)
Dylan & The Dead (Grateful Dead Tour, 1987)

Next week, you will receive this blog's first taste of the "Never-Ending Tour," with a live collection focusing on Bob Dylan's 1988 tour. Until then, keep yourself healthy and listen to some good tunes.

-CS

Determined To Stand: Live in Europe, 1987

Determined To Stand: Field Recordings, Autumn 1987

Tangled Up In Blue - September 12, 1987
Joey - September 12, 1987
Shelter From The Storm - September 15, 1987
Shot of Love - September 13, 1987
I'll Remember You - October 11, 1987
John Brown - October 11, 1987
Wicked Messenger - September 13, 1987
To Ramona - October 16, 1987
House Of The Rising Sun - October 7, 1987
When I Paint My Masterpiece - September 10, 1987
Seeing The Real You At Last - October 3, 1987
Tomorrow Is A Long Time - October 12, 1987
Pledging My Time - September 12, 1987
When The Night Comes Falling From The Sky - September 10, 1987
I Dreamed I Saw Saint Augustine - October 4, 1987

Lossless Links: 

Part One

Part Two

Part Three

MP3 Links: 

MP3 Version

Happy Monday, Everybody...

Well, most folks don't like Mondays, but I hope you'll be happy once you give this a listen. Right here, hidden amongst these ones and zeroes, is one of the best-kept secrets of Bob Dylan's performing career. The Fall Tour of Europe, 1987, was one for the ages.

Now, be aware - there was a lot that did not work on this tour. While the backing band, Tom Petty & The Heartbreakers, provided reasonably consistent accompaniment, Dylan's vocals were not always up to the task. What was constant, though, was a sense of experimentation. From night to night, arrangements could vary radically. It took until the third night of the tour for a song to appear a second time!

And that experimentation, that push and pull between singer and band, and within the singer himself, is undoubtedly what generated the exquisite recordings found here. Just listen to the airy nature of "Tangled Up In Blue" and "Shelter From The Storm," the majesty of "I Dreamed I Saw Saint Augustine," the honesty of "To Ramona," the intimacy of "Tomorrow Is A Long Time," the anger of "John Brown," or the mystery in "When The Night Comes Falling From The Sky." Whatever strange quality imbues these performances, you can't find it anywhere else.

Part of the strength of these recordings, as noted above, is the interplay between Dylan and the band, especially keyboardist Benmont Tench. His piano-playing is the centerpiece of many songs, particularly "Shelter From The Storm," "John Brown," and "Tomorrow Is A Long Time." So too is the passion evident in the singing. "Joey" really presents what Dylan has called a Homeric quality in this definitive reading, and "Tomorrow is A Long Time," always a fine song, is truly confessional here. In some ways, it is a shame that these performers would never share a stage again after the Fall of 1987; one wonders if lightning could strike twice.

The title is taken from Bob Dylan's own words to describe the challenges he was facing during this period, and how he overcame them. Many of the concerts from this tour reflect a struggle to connect to the music, but every so often, the results of this struggle created something truly special. The inspiration from this revelation would lead to the Never-Ending Tour, which began the following year.

At times delicate, like "Shelter from the Storm," and at times absolutely outrageous, like Shot of Love, the passion for music comes through in every note. If you haven't listened to any shows from this tour, give this CD a chance. And if you have listened before, and not been impressed, give another listen. You never know when this will be just what you needed to hear.

If you enjoy these recordings, you may enjoy the studio incarnations of these tracks, found on the following releases:

Bob Dylan

Another Side

Blonde On Blonde 

John Wesley Harding

Greatest Hits, Volume 2

Blood On The Tracks 

Desire

Shot of Love

Empire Burlesque

The Bootleg Series, Volume 9 

The Bootleg Series, Volume 10 

Before stepping into the Never-Ending Tour era, next week's release will feature the best of the circulating rehearsal sessions from 1971 to 1989. Until then, keep yourself healthy and listen to some good tunes.

-CS

Ashes & Dust: Unreleased Recordings, 1984 - 1986

Ashes & Dust: Unreleased Studio and Live Recordings, 1984 - 1986

Something's Burning, Baby - Empire Burlesque Session

Trust Yourself - Live: Farm Aid, 1985

Freedom For The Stallion - Unreleased, 1985

Driftin' Too Far From Shore - Empire Burlesque Session

Emotionally Yours - Live: July 4, 1986

Had A Dream About You, Baby (Take 5) - Hearts of Fire Session

A Couple More Years - Hearts of Fire Session

Band Of The Hand - Live: July 17, 1986

 Lonesome Town - Live: July 4, 1986

Go 'Way Little Boy - Empire Burlesque Session

To Fall In Love With You - Hearts of Fire Session

We Had It All - Live: July 4, 1986

Old Five & Dimers Like Me (Take 3) - Hearts of Fire Session

Straight A's In Love - Empire Burlesque Session

The Very Thought Of You - Empire Burlesque Session

Across The Borderline - Live: Farm Aid, 1986

Who Loves You More - Empire Burlesque Session

Thank God - Live: Chabad Telethon, 1986

New Danville Girl - Empire Burlesque Session

[Link Removed - See Below]

Hello everybody,

Hope all has been well for you since last week. This week I am presenting one of the more peculiar compilations in my collection. 1985 - 1986 is not generally regarded as an especially strong period of time for Bob Dylan's music, and that is not a misguided impression. The records released were very much of their time, and thought he songwriting and performances remained strong, production sometimes obscured the quality.

What I would like these selected songs to do is to rehabilitate, to a small degree, this era. Clearly, a song like "Trust Yourself" comes across much stronger here, in a live context, than it did as originally released. Similarly, this live rendition of "Emotionally Yours" is incredible, though of course that song was one of the highlights of Empire Burlesque. "Band Of The Hand," which exists in a studio-recorded cut on the soundtrack to a film of the same name, is performed here with Tom Petty & The Heartbreakers as the backing band. The collaboration between Bob Dylan and Tom Petty from 1985 - 1987 was very fruitful, and will be explored further in next week's release.

The outtakes are just as interesting as the live cuts. "Go 'Way Little Boy" sounds like an updated "Absolutely Sweet Marie," and was originally given to another singer for her record. You might recognize "A Couple More Years" from my earlier post, Still The Same Man, Volume One, but this version is completely different - this Shel Silverstein-penned ballad was recorded acoustically at the sessions for the film Hearts of Fire in 1986, but was not released on that film's soundtrack. "To Fall In Love With You," recorded at the same sessions, is one of the more haunting and mysterious songs in this catalog. A number of these songs would later be rerecorded at sessions for Knocked Out Loaded, including "Driftin' Too Far From Shore" and "New Danville Girl," which was eventually rewritten as the esteemed "Brownsville Girl."

If you enjoy these songs, I encourage you to check out the contemporary official releases:

Empire Burlesque

Knocked Out Loaded

The Bootleg Series, Volumes 1-3

Though the production is challenging at times, you would be well-served by including the unparalleled "Dark Eyes" from Empire Burlesque in your record collection. Also, The Bootleg Series Volume Three includes a fantastic outtake of "When The Night Comes Falling From The Sky," also from Empire Burlesque. Unfortunately, the film soundtrack for Hearts of Fire is currently out of publication, but you never know when that may change; if you can find that soundtrack, "The Usual" is a pretty great recording not available elsewhere.

Next week we will be dipping back into live performances, documenting the positively fascinating jazzy recordings of Bob Dylan and Tom Petty's 1987 Tour of Europe. Don't miss it. Until then, keep yourself healthy and listen to some good tunes.

-CS

March 19, 2015 Update: It has come to my attention while compiling the alphabetical song index that some performances from this compilation date from 1984. I have corrected the title here on the blog, but the artwork dates remain slightly inaccurate. If I have the chance, I will create new artwork. Otherwise, please forgive this error. 

 

September 17, 2021 Update: The link has been removed due to content being officially released in The Bootleg Series Volume 16.